Sheppard. To reach the Sha-mien—and particularly the Hotel Victoria—one crossed a narrow canal, always choked with rocking sampans over and about which swarmed yellow men and women and children in varied shades of faded blue cotton. He opened the door for her with a faint disagreeable smile. You lack only that mechanical knack of expression which is the least important part of an artist’s equipment, but which remains a tedious and absolute necessity.
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