“It is intolerable that you should be followed about by such a creature. An early bird clarinetist burst through in a long black skirt, swishing like a bell. Her heart's in the right place, at all events; and, since that's the case, the rest may perhaps come round, —that is, if she gets through her present illness. But you couldn't. “I am developing ailments,” she said, meeting his questioning eyes. I needed a man the worst kind of way—a man I could keep for at least six months. He will tell you confidentially that he simply hates the place. We have played at a little mild lovemaking again. "I can," replied Trenchard. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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